Top Secret Code Name of Current Project: Fedoras and Trust Issues
Current Pitch: Hardboiled fairy tale noir!
Slightly More Detailed Pitch: In an alternate post-WWII America, a cranky, bisexual PI and his ace, teenage Girl Friday try to solve the disappearances and/or murders of three different women.
Number of POV characters: 2
Number of important supporting characters: 80 billion
Number of supporting characters who are also assassins: 5
Song From Current Project Playlist: “Lady Sings The Blues” – Billie Holiday
Goal Met: Almost
Well, the first week of the Write-a-Thon is nearly over, and I’m close to completing my goal of two chapters! Considering I do the majority of my writing at night when everyone else is asleep, and I have the next two nights off, I’m not super worried about meeting my deadline.
I have discovered, however, multiple challenges when it comes to turning a trilogy of short stories into a novel. First you have to decide how you want to approach it: are you rewriting each scene into your novel, primarily focusing on expansion and development? Are you mixing up the timeline of your stories so that their plots run concurrently instead of sequentially? Or are you taking inspiration from the original stories but mostly writing a whole new thing?
Each approach has its advantages and disadvantages, but–probably not to the shock of anyone who knows me–I’m mostly going with the first approach. One of the advantages of that is having a good chunk of my work done for me ahead of time (though less than you might think, which I’m sure we’ll get to in a later write-up). One of the disadvantages, however, is having to face The Scene From Hell again.
The Scene From Hell is a scene from “The Price You Pay Is Red,” which is the second story in the trilogy. In it, our heroes, Jimmy Prince and Jack, share an uncomfortable dinner with four other characters, most of whom are involved in some kind of illegal activity. Nearly everyone has some kind of secret they’re keeping from someone else at the table, and five of them are keeping something from the one dude who suspects nothing at all. I was very happy with the scene conceptually: I really enjoyed the idea of a dinner conversation where everyone has information they need to hear or say but can only use coded messages to do so. Writing the actual scene in question, however, took freaking years off my life. I must have rewritten that scene, like, twelve times before I got it right. I despised it from the very essence of my being. It took months. Literal months.
I’m not gonna lie: when I realized I’d have to rewrite this scene yet again, I very much wanted to curl into a ball and weep.
I’m happy to report, however, that I enjoyed it much more this time around, possibly because so much of it survived the transition from novelette to novel. I worked too hard on that bastard to totally start fresh. Now I’m working on the second chapter, which is all new material from Jack’s POV. In the original stories, Jack didn’t have a point of view, but adding it has reshaped this tale so much. Jack knows things that Prince doesn’t, and that knowledge changes the context of so many scenes. More on that, I’m sure, in future updates.
If you’re interested in donating to the Write-a-Thon and haven’t gotten around to it yet, here’s a link where you can do so.
Finally, your Random Line of the Week:
Hearts aren’t owned, Jack. Shared, sometimes, but you can’t own a person and love them too.