Horror Bingo 2022: The Fly (1986)

Technically, I’ve seen a David Cronenberg film before (eXistenZ, roughly a billion years ago—I have almost no memory of it), but I haven’t really seen any of the classic 80’s horror that he’s known for. (Or, okay. Maybe The Dead Zone? But also maybe not because I mostly just remember the ending.) Horror Bingo felt like a prime opportunity to correct this egregious oversight, and so for the very first time, I watched The Fly.

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. . . holy shit, this is where that line comes from?

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Triple Scoop Review: Seo Bok, Scream, and Along With the Gods: The Two Worlds

So, I’ve basically been ignoring movies in favor of marathoning television for the past three months, but hey! Here are a few films I’ve watched recently!

Seo Bok

Year: 2021
Director: Lee Yong Joo
First Watch or Rewatch: First Watch
Amazon, Netflix, Hulu, or Other: Other – Viki
Spoilers: Not directly, I don’t think, but inferences can probably be made
Grade: Rocky Road

Whew. That was . . . yeah, a bit darker than I was expecting from a “jaded ex-agent has to protect the first human clone” movie. Although sometimes, that can be kind of a fun thing about watching foreign films: genre expectations are not necessarily universal, so sometimes, damn, you get a surprise.

Truthfully, I haven’t quite made up my mind about Seo Bok just yet. There are parts that I genuinely like. The acting, in particular: Gong Yoo and Park Bo Gum are  strong leads—I mean, obviously, they’re like 95% of the reason I watched this movie in the first place. I especially enjoyed Park Bo Gum, who was giving me some serious Hello, Monster nostalgia, but I was also happy to also see Jo Woo Jin (who I really enjoyed in Happiness) and Jang Young Nam (who I quite liked in It’s Okay to Not Be Okay). The action is fun. Some of the shots were rather lovely. Some of the thematic material works well for me.

However, not all of it does, and I’m still trying to pinpoint why that is, exactly. Admittedly, the basic thesis of this movie—we’re not meant to be immortal—has never been one of my favorite morals in the world. Still, I think my bigger problem isn’t so much the message but its execution. Seo Bok feels murky, convoluted. Too much going on and not nearly enough time to explore it. I often felt that characters—particularly the antagonists—were making decisions that felt nonsensical and inauthentic. Our heroes are essentially caught between dueling villains here, and I quite like the idea of that; however, that structure can go somewhat awry when you have villains with nebulous motivations making pretty dubious choices.

 Seo Bok is certainly not meant to be an upper; in fact, to me, it sorta feels like the nihilist answer to Space Sweepers. Still by the end, I feel like I was perhaps left with an even stronger sense of futility than the film actually intended. I don’t regret watching it at all, but I also feel like there’s a stronger story here, waiting to be whittled free.

Scream

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Year: 2022
Director: Matt Bettinelli-Olpin & Tyler Gillett
First Watch or Rewatch: First Watch
Amazon, Netflix, Hulu, or Other: Other – Paramount Plus
Spoilers: ABSOLUTELY
Grade: Chocolate

I admit, I was pretty excited when news of the latest Scream movie was announced, considering it’s probably my favorite horror franchise of all time, and I figured the guys who did Ready or Not might be a good fit for it. But I was also a bit nervous because, you know. It’s probably my favorite horror franchise of all time, and there comes a point when you just really don’t want to see certain characters die. For me, that specifically meant Sidney. I am emotionally invested in Sidney Prescott’s survival. Fortunately, I have good news: she makes it!

Overall, I enjoyed Scream. TBH, I enjoy all the movies in this franchise. Even Scream 3, which is probably the worst of the bunch, surprisingly has more to recommend than I’d initially remembered. Which isn’t to say I don’t have criticisms because, well. Me. My biggest problem here is that Melissa Barrera does very little for me as Sam. I wish I liked her more, I really do. I adored Jenna Ortega as Tara and spent the majority of the film wishing she was the primary Final Girl. Actually, I really like most of the cast. Jack Quaid being a villain isn’t exactly, er. Surprising? But I don’t even care because he’s hilarious, and I’ve really liked this actor in everything I’ve seen him in thus far. Also shoutouts to David Arquette, Jasmin Savoy Brown, Mason Gooding, Dylan Minnette, Neve Campbell, Courtney Cox, and Skeet Ulrich—but NOT to Skeet Ulrich’s CGI because good Christ, stop. Just stop.

And I really do love the idea of our Final Girl being cheered on by hallucinations of Evil Daddy Billy Loomis. The scene where Sam stabs the shit out of Richie is easily her best in the whole film. Still, I would’ve loved it so much more if I ever bought Sam or had any investment in her character. I also think Scream might have some second act problems, but I’m not quite sure yet where I think it missteps. I do feel like Tara’s friends get dropped too long, which makes the Amber reveal a little underwhelming. Wes and Judy’s death scenes are good, but feel a bit disconnected from the rest of the film. (I still can’t bring myself to give a shit about Judy, but I do feel sorry for Wes.)  And I’m still trying to decide how I feel about Dewey’s death. I don’t mind that it happened, exactly, just . . . it’s so obvious that he’s gonna die when he goes back that it ends up feeling like a stupid move to me. IDK. I’m still thinking on it.

(Also, FFS. Is the hospital a 9-5 gig? Where are ANY of the employees here? Or for that matter, other patients? Hollywood continues to drive me crazy with this nonsense.)

Overall, though, I was pretty entertained. I had fun guessing suspects and motives and how many killers there would be this time around. Toxic Fandom is the Real Killer here feels pretty apropos for this franchise, and almost all of the dialogue and in-jokes worked well for me. (Poor Courtney Cox is never gonna live those terrible bangs down.) I also enjoyed the step up in gore, and while I may find Sam very dull, I’m always happy to see sisters survive. (See also, Sidney and Gale—I know, not actually sisters—who I really liked in this movie.) I do wish Kirby had come back, but it’s nice that we got confirmation she’s alive! (Though I admit, I absolutely missed said confirmation when it happened.) This movie isn’t perfect, no, but compared to some other horror franchises and their dismal ass sequels? Yeah. The Scream movies still got it.

Along With the Gods: The Two Worlds

Year: 2017
Director: Kim Yong Hwa
First Watch or Rewatch: First Watch
Amazon, Netflix, Hulu, or Other: Other – Viki
Spoilers: Nah
Grade: Vanilla

So, this is a Korean fantasy-action film about a firefighter who dies and is escorted through the afterlife, facing seven trials in seven hells to see if he can be reborn. It’s a fun premise and an overall great cast with several actors I’ve enjoyed in other shows. Joo Ji Hoon from Kingdom. Kim Hyang Gi, who was (briefly) in Space Sweepers. I’m currently watching Kim Dong Wook in The Guest, and—like presumably many Americans—first saw Lee Jung Jae in Squid Game. Also D.O. (Hello Monster—yes, I know he’s also in EXO, but I know him from Hello Monster), Kim Soo An (Train to Busan), Ye Soo Jung (also Train to Busan), and a half a dozen other people I’ve seen pop up here and there. This is actually the first thing I’ve seen Ha Jung Woo in, but I enjoy him here, too.

My main problem with this film is easily Kim Ja Hong (Cha Tae Hyun), our firefighter, who is just . . . boring. He’s so boring, just zero personality whatsoever, and it feels like half his dialogue is incessantly calling after his mom. Literally everyone around him is much more interesting. My personal favorites are Joo Ji Hoon, who gives a very funny performance that’s wildly different from his work in Kingdom, Kim Soo Ann, because the God of Deceit is just the Best, and Kim Dong Wook, whose performance here alongside Ye Soo Jung provides the movie its heart. I’m probably supposed to feel moved by Ja Hong, too, but unfortunately . . . yeah, no. That’s partially because the character is so boring, but also because we learn some things about this guy that, well. I don’t want to get too deeply into spoilers, but let’s just say that the movie really wants me get into this heartwarming redemption, and I just couldn’t quite get there.

I do think the script could be tighter, and I wish the visual effects did justice to the premise (cause the CGI here is, uh, hilarious), but I also probably enjoyed the film enough to check out the sequel, especially since my least favorite character isn’t in it. Man. I wish that happened in more films. Like, give me Scream 6 without Sam. Or Guardians of the Galaxy 3 without Peter Quill, or Jurassic Whatever without Owen Grady, or . . . yeah, feel free to just pass up Chris Pratt at any opportunity in favor of Chris Pine, Chris Evans, or Chris Hemsworth, please and thank you.

All My Favorite Books of 2021

Last week, I posted a list of all the novels and novellas I read in 2021. This week, I’ll be discussing some of those books in a bit more detail, with categories like Fastest Read, Favorite Horror Novel, Favorite Sci Fantasy, etc.

As always, any book I read in 2021 is eligible for these superlatives because if I only discussed books published in 2021, well. Let’s just say this would be a much shorter list.

FASTEST READ

Truly Devious, The Vanishing Stair, and The Hand on the Wall – Maureen Johnson

This YA mystery trilogy (well, okay, it’s not technically a trilogy anymore) is delightful, and I quickly powered through each of these three novels. I want Ellingham Academy to be a real place, even though definitely nobody should ever go there because, yeah, all the murders. Still! Stevie is a great heroine and teen detective, and I really enjoy most of the supporting cast, particularly introverted writer Nate, who speaks the language of my fucking soul. The concept is fun, the humor is great, and I just really had a good time reading these. I’m definitely looking forward to checking out The Box in The Woods sometime later this year.

Honorable Mentions: Think of England – KJ Charles; The Poisoned Chocolates Case – Anthony Berkeley; Finna – Nino Cipri; The Final Girls Support Group – Grady Henrix; The Inugami Curse – Seishi Yokomizo; Network Effect – Martha Wells; The Decagon House Murders – Yukito Ayatsuji; Bryony and Roses – T. Kingfisher; Rock and Riot – Chelsey Furedi

FAVORITE BOOK THAT MADE ME CRY

The Memory Police – Yoko Ogawa

Oof. This one sits heavy in the chest. I can’t really discuss why without spoilers, but I can say that this is a story about loss, and each loss here is more strange and terrible than the last. The imagery is really quite lovely, and the ending ties the whole novel together so well. The Memory Police is fantastic, and I’m genuinely glad I read it, but damn, I was one big bundle of Existential Feels after finishing this book. Read with a comfort snack, or six.

FAVORITE GRAPHIC NOVEL

Rock and Riot, Vol. 1 – Chelsey Furedi

When I found this graphic novel, I didn’t initially realize that it had begun life as a web comic, but I figured that out when I devoured Volume 1, immediately tried to buy Volume 2 and 3, couldn’t find them anywhere, cried, and then found the whole series here to read for free—and read it, I did, all in one night. (I mean, I know that’s not a huge accomplishment—this is not a dialogue-heavy comic—but I appreciate anything that makes me feel that sweet must keep reading, must keep reading rush.)

Rock and Riot is about The Aesthetic. It’s a queer, 50’s, greaser romcom set in high school, and it is adorable; oh my God, is it cute. I love the main ship, I love all their friends, and the ending with the Prom is such pure perfection. 2021 was often pretty bleak, but this comic was a great pick-me-up.

Honorable Mentions: Die, Vol. 2: Split the Party – Kieron Gillen & Stephanie Hans; Goldie Vance: Volume One – Hope Larson & Brittney Williams; Princeless – Raven: the Pirate Princess – Book One: Captain Raven and the All-Girl Pirate Crew – Jeremy Whitley, Rosy Higgins and Ted Brandt; The Wicked + The Divine, Book 3 – Kieron Gillen & Jamie McKelvie

FAVORITE NON-FICTION

Ace: What Sexuality Reveals About Desire, Society and the Meaning of Sex – Angela Chen

One of my favorite things about this book is that it doesn’t approach asexuality from a narrow perspective. Angela Chen interviews a wide variety of people from all over the spectrum and specifically delves into the various experiences, stereotypes, and challenges that aces with intersectional identities come up against. The book also explores some really interesting ideas about compulsory sexuality and how experiencing sexual attraction in today’s society isn’t just considered the default; it’s automatically assumed to be superior to experiencing little to no sexual attraction, a perspective that’s omnipresent and needs to change in both queer and heterosexual communities. It’s a well-researched book, and I’m really glad I read it.

Honorable Mentions: Women Make Horror: Filmmaking, Feminism, Genre – Alison Peirse (edited by); Romancing the Beat: Story Structure for Romance Novels – Gwen Hayes

FAVORITE MIDDLE GRADE

Root Magic – Eden Royce

I didn’t read many middle grade books this year, but I’m so glad I picked this one up because the Gullah-Geechee rootwork here is just so interesting, and it’s exciting to read a fantasy novel set in this culture by an author who actually is Freshwater Geechee. Root Magic felt innovative to me, different than many of the MG fantasy books I’ve read before, and it’s something I wish I’d had the opportunity to come across when I was a child. I particularly like that this story gives multiple characters space for some moral ambiguity. People aren’t perfect here, but they do care, and I like that. There are also just some fantastically creepy moments in this book that I adored. I definitely hope to read more by Eden Royce in the future.

FAVORITE YA

The Valley and the Flood – Rebecca Mahoney

I initially discovered this novel because I love the author’s fanfic, and I’m so happy I did because it’s such an odd, fascinating, and moving story about surviving and living with trauma. It’s also funny as hell, and I love pretty much the entire cast of characters. I am, admittedly, a sucker for magical stories about weird little towns (this one has multiple prophets who are rated by their accuracy, it’s great), but I also really love just how much time and space is given to Rose’s emotional journey here. I wish someone would pick this up for a limited series because I would watch the hell out of it. So, like. Get to work, Netflix!

Honorable Mentions: Truly Devious – Maureen Johnson; The Vanishing Stair – Maureen Johnson; The Hand on the Wall – Maureen Johnson;  Elatsoe – Darcie Little Badger; Summer of Salt – Katrina Leno; Raybearer – Jordan Ifueko; Iron Widow – Xiran Jay Zhao; Loveless – Alice Oseman

FAVORITE ROMANCE

One Last Stop – Casey McQuiston

So, I really enjoyed this. It’s a very queer, very living-in-your-20’s kind of story, and I ship our main romance, which is obviously huge. (One of my biggest problems with love stories—within ALL genres—is that I either don’t care if the couple gets together or, worse, I actively don’t want them to get together. It happens more often than I’d like.) August, though, is pretty great (and another true crime solver—someone needs to write me the One Last Stop/Truly Devious crossover fanfic immediately), and I like Jane, too. I don’t know if time travel romances will ever be my bag, but trapped-and-displaced-in-time punk heroines from the 1970’s? Yeah, I’m here for that. Plus, I really love how this book dedicates so much time to August’s platonic relationships, too, primarily with her roommates Niko, Myla, and Wes. I was 1000% invested in all their friendships.

Honorable Mentions: Paladin’s Grace – T. Kingfisher; Frederica – Georgette Heyer; Think of England – KJ Charles; The Midnight Bargain – C.L. Polk; Bryony and Roses – T. Kingfisher

FAVORITE HORROR

Night of the Mannequins – Stephen Graham Jones

Oh, wow. Night of the Mannequins is a morbidly funny delight from beginning to end. It is also, hilariously, not quite the book I’d expected when I started reading the story because I must have misread or misremembered the back-cover blurb somehow? Honestly, though, I think that surprise actually made the novella even better, the slow unfolding as I realized, Oh, wait, are we—oh, SHIT, we’re doing THIS. It’s my FAVORITE NOVELLA I read this year, and such a perfect combination of weird slasher and disturbing psychological horror all in one. In the unlikely event I ever teach a class, and I want to do a lesson on voice? Night of the Mannequins will be one of the assigned texts.

Honorable Mentions for Favorite Horror: The Bayou – Arden Powell; The Final Girls Support Group – Grady Hendrix; The Secret Skin – Wendy N. Wagner

Honorable Mentions for Favorite Novella: The Bayou – Arden Powell; Finna – Nino Cipri; Here, The World Entire – Anwen Kya Hayward; Burning Roses – S.L. Huang; And What Can We Offer You Tonight – Premee Mohamed; The Haunting of Tram Car 015 – P. Djèlí Clark; And This is How to Stay Alive – Shingai Njeri Kagunda

FAVORITE MYSTERY

TIE!

The Poisoned Chocolates Case – Anthony Berkeley
The Decagon House Murders – Yukito Ayatsuji

Both these mysteries surprised me for different reasons, although it’s hard to explain exactly why without spoilers, which I’m reluctant to include even in the case of The Poisoned Chocolates Case, which is literally almost 100 years old. I first discovered this book while reading The Golden Age of Murder by Martin Edwards, and I’m so glad I picked it up. The format is so interesting. There’s very little actual investigation on the page; instead, it’s a group of self-styled detectives discussing their proposed solutions to a recent unsolved murder, and it’s an awful lot of fun, witty and engaging and rather meta in its “let’s poke some fun at these tropes” humor, which is extremely in line with Golden Age mysteries. I had a ball reading this.

Meanwhile, it’s no surprise I checked out The Decagon House Murders because any book with such a fun And Then There Were None premise is always an automatic read for me, but I have to give special kudos to this novel because the twist is so GOOD. I know some writers always get mysteries correct, but the truth is, I don’t: I have a tendency to overcomplicate things while puzzling out the many ways a story could go. Hell, I didn’t get The Poisoned Chocolates Case correct. (Parts, damn it. My theory seemed so sound, too!) But I’m not usually, like, stunned, either. The Decagon House Murders stunned me. It’s been a long, long while since I felt so blown away by a twist I didn’t see coming at all, and that was very exciting for me. One of the best surprises of the year. Also, yeah, I kind of want my own decagon house now.

Honorable Mentions: The Inugami Curse – Seishi Yokomizo; The Honjin Murders – Seishi Yokomizo; Truly Devious – Maureen Johnson; The Vanishing Staircase – Maureen Johnnson; The Hand on the Wall – Maureen Johnson; Fortune Favors the Dead – Stephen Spotswood

FAVORITE SCIENCE FICTION

Chaos Vector – Megan O’Keefe

The sequel to Velocity Weapon, this is an absolute doorstop of a book and also a wild ride, full of twists and turns that are like, Oh, shit. OH. SHIT! You’d think I’d be prepared for that after the first book, but damn. Specifics are difficult to discuss without giving anything away, but this is a fantastic space opera with a great lead heroine and several supporting characters that I’m invested in. There are still so many mysteries left to uncover in the third and final book, which is already in my To-Read pile—and like, not even my metaphorical someday pile. It’s in the stack of physical books towering over my desk. Enticing me. Intimidating me. Reminding me silently we’re heeeere.

Honorable Mentions: Network Effect – Martha Wells; The Galaxy, and The Ground Within – Becky Chambers; Finna – Nino Cipri; Riot Baby – Tochi Onyebuchi; The Memory Police – Yōko Ogawa; And What Can We Offer You Tonight – Premee Mohamed; The All-Consuming World – Cassandra Khaw

FAVORITE SCI FANTASY

Harrow the Ninth – Tamsyn Muir

Yes, it’s true, I did read Harrow the Ninth roughly a year after the rest of the world, but I got there eventually, damn it! And it’s an awesome read, one which definitely activated the Mystery Lover part of my brain, only in this case, the primary mystery is less all right, who killed this dude and more like, okay, but for real, though, what the FUCK is going on? I had an awful lot of fun trying to figure out, indeed, what the fuck WAS going on. (I got, IDK. Half of it?) Reading Harrow’s super traumatized, wildly unreliable, and goth as hell POV was pretty great, too. All of the characters are fantastic, TBH, and while this is—as one is legally obligated to point out—a very different book from Gideon the Ninth, it is still just as witty, wild, and fantastically weird as its glorious predecessor.

Honorable Mention: Iron Widow – Xiran Jay Zhao

FAVORITE CONTEMPORARY FANTASY

Piranesi – Susanna Clarke

I enjoyed Piranesi well enough while I was reading it, but it wasn’t until I reached the end that I truly fell in love with it. This is definitely one of those novels that throws you into the deep end right away, but it’s interesting to slowly piece things together, and that bittersweet conclusion just makes everything which came before that much more powerful. The prose is absolutely lovely, and I really like our MC, too, his kindness, how he takes care of the dead, his deductions—even when they’re wildly wrong. The whole story is gently melancholic, but I don’t find it unbearably tragic, either; in fact, I’ve actually been considering buying the book to reread it, which is very rare for me. (It may not happen because of the aforementioned towering TBR pile, but still. I’m seriously considering it.)

Honorable Mentions: Elatsoe – Darcie Little Badger; The Memory Collectors – Kim Neville; The Valley and the Flood – Rebecca Mahoney

FAVORITE NOT-SO-CONTEMPORARY FANTASY

The Once and Future Witches – Alix E. Harrow

I read this book relatively early in 2021, and I knew that no matter how many other awesome novels I read in the upcoming months, The Once and Future Witches was definitely making it on my Top Ten. I’m not always drawn to historical fantasy, but a story about witches and sisters and suffragists? Particularly one written by Alix E. Harrow, who writes some of the best, most striking prose in the business? Obviously, I was here for that. And the book is written beautifully, of course. There are so many good lines here. I became very invested in the relationships between the three Eastwood sisters, and I love all the rhymes and spells and stories. If you haven’t had the opportunity to read this one yet, you should definitely check it out.

Honorable Mentions: The Midnight Bargain – C.L. Polk; Paladin’s Grace – T. Kingfisher; Under the Pendulum Sun – Jeannette Ng; The Haunting of Tram Car 015 – P. Djèlí Clark; Bryony and Roses – T. Kingfisher; The Empress of Salt and Fortune – Nghi Vo; Raybearer – Jordan Ifueko; When The Tiger Came Down the Mountain – Nghi Vo

TOP TEN FAVORITE NOVELS + NOVELLAS OF 2021
(not in any particular order)

1. Piranesi – Susanna Clarke
2. Night of the Mannequins – Stephen Graham Jones
3. Chaos Vector – Megan O’Keefe
4. The Valley and the Flood – Rebecca Mahoney
5. The Once and Future Witches – Alix E. Harrow
6. Network Effect – Martha Wells
7. The Decagon House Murders – Yukito Ayatsuji
8. The Poisoned Chocolates Case – Anthony Berkeley
9. The Memory Police – Yoko Ogawa
10. The Bayou – Arden Powell

Because my system is imperfect, I always have at least 2 or 3 books on my Top Ten that I don’t have a specific superlative for, despite how awesome they are. I refuse to only discuss 8 of my 10 favorite stories of the year, though, so I’m also here to recommend the following fantastic novels and novellas:

Network Effect – Martha Wells

Okay, no one actually needs me and my readership of, like, 4 people to recommend Martha Wells. It is a well-acknowledged fact that Murderbot is The Best. But just in case you’re also playing catchup, Network Effect was an absolute delight to read. I am 150% here for the humor, the relationships, and all the Feels—you know, the ones that Murderbot pretends to not experience. IMO, Murderbot continues to possibly be the most relatable MC of all time, and I’m looking forward to reading Fugitive Telemetry sometime later this year.

The Bayou – Arden Powell

Would you like a spooky, queer, Southern gothic novella set in the 1930’s? Of course, you would, and that’s great because I have one for you right here! The Bayou is a super quick read and atmospheric as hell, and that ending, damn. Everything comes together so beautifully at the end of the story when All is Revealed. The horror is just so good here; also, I absolutely loved the writing, like, just so many good lines. This is the first work I’ve read by Arden Powell, and it will definitely not be the last.

HONORABLE MENTIONS

The Empress of Salt and Fortune – Nghi Vo; When The Tiger Came Down the Mountain – Nghi Vo; Harrow the Ninth – Tamsyn Muir; One Last Stop – Casey McQuiston; Here, The World Entire – Anwen Kya Hayward; Paladin’s Grace – T. Kingfisher; Fortune Favors the Dead – Stephen Spotswood; The Galaxy, and the Ground Within – Becky Chambers; Truly Devious – Maureen Johnson; The Vanishing Stair – Maureen Johnson; The Hand on the Wall – Maureen Johnson; Raybearer – Jordan Ifueko; Iron Widow – Xiran Jay Zhao; And What Can We Offer You Tonight – Premee Mohamed; Loveless – Alice Oseman

Yes, well, the plan was to only list 5 Honorable Mentions, but very obviously, I failed. Look, I read a lot of awesome books last year, okay? Be happy I kept it under 20.

Here’s to hoping 2022 is filled with even more fantastic reads!

2021: Award Eligible Work and Recommended Short Fiction

Well, 2021 is nearing its end–it’s absurd, right?–so it’s officially That Time again. First, I’ll discuss my own writing; then, we’ll move onto my favorite short stories of the year.

In regards to my own work:

Forward, Victoria” – The Dark – April 2021 – (3900 words)

Ah, my latest slasher. TBH, I’m pretty fond of this one. There are a lot of obvious horror movie references here, but I was primarily inspired by the shifting lore of the Friday the 13th franchise. I wanted to play with legends and monsters and how they both evolve over time. (Also, I just really wanted to write my own Teenage Girl as Unstoppable Masked Killer story.) You may enjoy this one if you’re interested in queer horror, undead girls, angry girls, second-person POV, fatal high school reunions, and a variety of violent kills.

An Ever After Diverged” – Daily Science Fiction – March 2021 – (1000 words)

Ah, my latest fairy tale. I see I’m very on brand this year. This is a short, angry little piece about seers, bodily autonomy, and how quickly women’s lives are considered disposable. You may enjoy this one if you like upended fairy tales, feminist fairy tales, quick reads, reverse storytelling, visions, prophecies, and alternate endings.

Only Circles in the Sea” – Mermaids Monthly – August 2021 – (250 words)
I Am Not Your Tragedy” – Mermaids Monthly – August 2021 – (250 words)

The tiniest of mermaid stories! The quickest of reads! 2021, truly, was the Year of Flash Fiction for me. I’ve never been so lucky selling such short stories. (In fact, I have two more flash pieces coming out sometime next year. One in Nightmare, one TBA.)

“Only Circles in the Sea” is my prophetic mermaids story, and you may enjoy it if you like stories about loss, reunions, and the unfathomable magics of the sea. “I Am Not Your Tragedy” is my cyborg mermaids story, and you may enjoy it if you’re interested in rejecting ablest narratives and stories where sharks are bitey jerks. Both stories will take you less than five minutes to read and come with absolutely fantastic artwork by Clare McCanna.

All of these stories are eligible for Best Short Story in most major awards (World Fantasy, the Nebulas, the Hugos, the Shirley Jackson Awards, the Bram Stoker Award, etc.) Well. Okay, don’t nominate the mermaid stories for the Shirley Jackson or Bram Stoker Award. I haven’t written a murderous mermaid story. Yet.

With that out of the way, let’s continue. In no particular order, here are . . .

My Favorite Short Stories of 2021

1. “Eating Bitterness” – Hannah Yang – The Dark

Oh, wow, this story. There’s so much that I love here: the inherent creepiness of the second mouths, the disturbing burdens that mothers are expected to bear, the multi-generational attitudes and approaches towards duty, pain, and what it means to grow up. This story is dark, stunning, and gorgeously told.

Every evening we tie Mama down.

2. “Of Claw and Bone” – Suzan Palumbo – The Dark

I mean, goddamn. This one is fascinating, powerful, and goth as hell. We’ve got bone magic. We’ve got mobiles made out of tiny animal skulls. We’ve got the kind of abusive family dynamics that always kick me straight in the Feels. This one is all about mothers and daughters and validating different types of power and strength. I’m obsessed with it.

Your own skull is still in pieces, kept flexible to withstand the compression of the birth canal. There is no guarantee what kind of woman you will fuse into.

3. “Proof by Induction” – José Pablo Iriarte – Uncanny

So, this story is all about grief and mathematics, and while I can’t pretend to know anything about the latter, I really appreciate how this one handles loss, particularly when you’re not processing it the way people think you should. There’s a pragmatism to this story that greatly appeals to me; also, the bitter truth that no matter how many chances you get at a last conversation, it won’t be, cannot be, the closure that you’re looking for. A fantastic story all around.

“The Coda cannot change in the way that a person can, however; it cannot learn or grow.” Her eyes meet Paulie’s. “Your father’s soul is not in there. Your father has moved on.”

4. “We, The Girls Who Did Not Make It” – E.A. Petricone – Nightmare

I am, and forever will be, a sucker for a dead girl story. Or, as the case may be, the story of many, many dead girls. I love how this one gives so much time and space to meet each and every girl who was murdered, to know them both individually and as a collective group. This story is angry and unapologetic, and I like the fierceness of its resolution.

We wish we were she-demons with long claws. We wish the full moon rose and our stories ended with us picking our captors out from between our teeth. We wish we’d been stronger. We wish we’d lived.

5. “The First of Many Lies You’ll Tell Her” – Kelly Sandoval – Daily Science Fiction

I adore Kelly Sandoval’s prose. I’m sure I’ve said it before, but she always packs so much emotion, so much regret, melancholy, and love, into even the shortest of stories. Her work is outstanding. This particular story is all about the perpetual fear that goes hand-in-hand with being a parent, and while it took maybe three minutes to read, the words lingered inside my brain for much, much longer.

When they first lay her in your arms, you will relearn what it means to fear.

6. “A House Is Not a Home” – L. Chan – Clarkesworld

I’ve never bothered to make an actual Most Beloved Tropes And/Or Premises List, but if I did, “sentient houses” would definitely make the Top Ten. And this is easily one of the best sentient house stories I’ve ever read. It’s both a quick read and a gradual unfolding, and I just wanna give Home a big hug. A wonderful read with a perfect conclusion.

It is the truth that Home tells because Home has no choice.

7. “Pathfinding!” – Nicole Kornher-Stace – Uncanny

Ah, more of my favorite tropes: super soldier kids who are abducted/experimented on/raised by nefarious government agencies! The characters in this one are great: I love 06’s defiance, 22’s pragmatism, and the deep, utterly platonic bond between them. I love all the dark humor, particularly concerning the Director’s warped sense of her own heroism. This story is engaging, extremely quotable, and an overall delight.

They are fifteen years old, which each of them wears differently. 06: defiance, nobility, misplaced nostalgia, surgically precise rage. 22: indifference (false).

8. “One and a Half Stars” – Kristen Koopman – Baffling

Laugh out loud funny. This one is hilarious, biting, a pitch perfect satire of . . . shit, a whole bunch of stuff, TBH. How gynecological pain is brushed off as natural, harmless, insignificant. How ridiculously complicated basic troubleshooting and tech support can be. What does and doesn’t count as healthcare even though it is very obviously healthcare. And that last line? Jesus. Absolute perfection.

Before anyone considers buying this uterus, let me share a little story.

9. “Taking Control of Your Life in Five Easy Steps” – P H Low – Nightmare

Oh, I adore this story. It’s both darkly funny and deliciously unsettling, and I love the repetition, the absolute precision of the prose. This one is so sharp and concise, and some of these lines just snap. If you’re looking for a creepy sendup of unhelpful self-help articles, you have come to the right place.

Understand that your life is confusing because you are only a ragged reflection of a true person in a true world.

10. “Teeny, Tinman’s Fourth Wife” – Liza Wemakor – Anathema

I must admit that I’ve never seen The Wiz (at least, not in its entirety), but that didn’t prevent me from enjoying this story in the slightest. I love how Teeny talks about her own body. I love that she’s never ashamed of herself or her size; it’s just that she’s had the misfortune to fall in love with someone ashamed of his desire for her. Teeny struggles with her feelings for this tin-man who never deserved her, and the whole thing is a great read with a fantastic closing line.

When we heard the skin-girl and the scarecrow around the corner, I played dead per our protocol.

Finally, because I read WAY too many great stories this year, here are a bunch of Honorable Mentions:

Laughter Among the Trees” – Suzan Palumbo – The Dark
The Family in the Adit” – A.T. Greenblatt – Nightmare
From Witch to Queen and God” – L.D. Lewis – Mermaids Monthly
Ootheca” – Mário de Seabra Coelho – Strange Horizons
If the Martians Have Magic” – P. Djèlí Clark – Uncanny
Dragons” – Teresa Milbrodt – Strange Horizons
Six Fictions About Unicorns” – Rachael K. Jones – Uncanny

Triple Scoop Reviews: Pipeline, Shang-Chi and The Legend of the Ten Rings, and Dune

Pipeline

Year: 2021
Director: Yoo Ha
First Watch or Rewatch: First Watch
Amazon, Netflix, Hulu, or Other: Other – Viki
Spoilers: Nope
Grade: Rocky Road

I’m a sucker for a fun heist story, and I have a soft spot for Lee Soo-Hyuk, so Mek and I decided to check out Pipeline. The movie is . . . fine, but also kind of oddly charmless, and a bit on the slow side for me. Oh, that sounds mean, doesn’t it? I didn’t hate this movie. The acting itself is fine (though I’m starting to wonder if Seo In-Guk has ever been in anything where he didn’t play the Arrogant Male Lead), and there were a few moments that did make me laugh; unfortunately, they weren’t very memorable because I can’t think of a single one now. I just never got very invested in the story, and that’s probably because I never grew to care about anyone on the team.

Heist stories usually go one of two ways: A) they’re grim little affairs, full of twists, betrayal, and murder, or B) they’re much wittier and light-hearted, often centering on the Team as Family trope. Pipeline is very much the latter (which is personally great for me), but none of the characters are very dynamic or interesting, and they just don’t have the platonic chemistry that really makes these kinds of stories sing. Honestly, we never learn much about any of them, not even our main lead. I kinda vaguely liked Counter (Bae Da-Bin), I guess, but that’s about it. Frankly, I found myself half-voting for the rich scumbag villain, because I didn’t really care about our heroes, and because Lee Soo-Hyuk wears the hell out of a nice suit. Like. I’m not always shallow, but yeah. I’m a little shallow.

Shang-Chi and The Legend of the Ten Rings

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Year: 2021
Director: Destin Daniel Cretton
First Watch or Rewatch: First Watch
Amazon, Netflix, Hulu, or Other: Other – Disney Plus
Spoilers: Yup
Grade: Vanilla

This was fun. I don’t quite love it, for a variety of reasons that we’ll get into shortly, but it was definitely an easy watch. The Final Battle is weirdly murky, but all the other fight scenes are great; I particularly like the chaotic Muni fight, and also when Ying Li kicks Wenwu’s ass at the beginning. (Not to mention, Ying Li’s whole look is fucking fabulous. Christ, I hope to see this cosplay the next time I actually go to a con.) I like how this isn’t quite your typical origin story; it’s a delight when we realize that Shang-Chi already knows how to fight. The music is fun. I am all about that dragon. (Also, the qilin, the huli jing, and all the other mythological creatures that I’m less familiar with.) And I enjoy pretty much the whole cast. I was especially delighted to see Michelle Yeoh and Tsai Chin, even if the latter was only there for a few moments.

Still, I don’t love this one quite as much as other folks, and I think that’s partially because the whole story is just built from one of my least favorite tropes of all time. Like, introducing this awesome, badass, immortal lady who just gives up all her powers because she falls in love (for God knows what reason) with this evil warlord who totally doesn’t deserve her? Yeah, pass. I found myself checking out a bit even before we got to associating tropes like Evil Man Changes His Ways Because of Romantic Love and Evil Man Goes Back To His Evil Ways Because His Love Died. Mind you, this has nothing to do with the acting; Tony Leung is perfectly good in the role; unfortunately, none of this interests me.

Also, for a movie with this many flashbacks, I think it’s completely bizarre to exclude the one where Young Shang-Chi actually decides to run away. It’s a Big Moment for his character, particularly considering the emotional conflict between him and his sister, and the only reason I can think not to include it is if we’re postponing it for a Big Reveal, namely, if it turns out that the man Young Shang-Chi assassinated is also Katy’s dead grandfather. I am desperately hoping this isn’t the case because, ugh, talk about tropes I’m not into. (I think it’d also be kinda cool if Katy and Shang-Chi did remain platonic, but that seems pretty unlikely, and I don’t hate them as a romantic ship. TBH, I kinda like their low-key, just wanna dance vibe. They could totally date and do late night karaoke and save the world without being all tortured and shit–that is, unless Shang-Chi’s lying to Katy about vengance-murdering her grandpa.)

Finally, I appear to be in the minority here, but Ben Kingsley in the role of Comic Relief didn’t do much for me. Like, I loved it when they brought up his character at dinner, absolutely, but the second we actually get him on screen for Kooky Fun Times? Nah. OTOH, seeing Benedict Wong join in on the karaoke? Excellent.

Dune: Part One

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Year: 2021
Director: Denis Villeneuve
First Watch or Rewatch: First Watch
Amazon, Netflix, Hulu, or Other: Other – HBO Max
Spoilers: Yup
Grade: Rocky Road

So, I finally watched this movie, 20% because I was curious, 80% because Mekaela bribed me with a bottle of Moscato that we somehow ended up with. The wine was tasty. The movie was . . . okay? I’ve never read the book, and I have very mixed feelings on the David Lynch adaptation, so I doubt I was anyone’s target audience here. But sure, there are things I like about this. Exposition and worldbuilding are handled much better here than in the 1984 version. Rebecca Ferguson makes Lady Jessica a million times more interesting than I remember that character being. (Also, her costumes are just cool.) And some of Paul’s visions are intriguing, particularly the ones with Jamis, considering he’s set up to be this someday friend/mentor figure, but instead, Paul kills him. (Other visions are less interesting because, much as I like Zendaya, there’s a limit to how many times I need a quick flash of her looking all romantic/enigmatic. I’m definitely looking forward to her having more actual dialogue in the sequel.)

Still, Paul himself? Meh. I genuinely like that he’s a child of two wildly different lineages, but kid’s got all the personality of a celery stick, and I don’t care even a little about his whole Chosen One narrative. (Frankly, I kinda wish Lady Jessica was the Chosen One.) I continue to hate Baron Harkonnen, too, and I’m still royally pissed about the decision to put Stellan Skarsgård in a fat suit, especially while reading bullshit about how careful they all were to avoid using the fat suit for comedic effect in the film; meanwhile, in the very same article: “Stellan  just loved being naked as the Baron. We all used to kill ourselves laughing when Stellan would ask for more nude scenes. He felt, quite correctly, that the Baron appeared more frightening and dangerous unclothed than cloaked in robes or armor.” Cool. That’s way less shitty!

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The only positive thing I will say about the Baron is that at least Villeneuve cut the Depraved Homosexual shit because FFS.

Also, for a 2 1/2 hour film, I do think Dune, Part One has a couple of pacing problems. Like, I kinda feel there should be a little more time between “fuck, we’ve been set up to fail” and “Massacre Night.” And there’s been, what, five minutes between Paul whining that Lady Jessica made him a freak (dude, you’ve got bigger problems right now) and Paul deciding, “Well, okay, I guess I’ll just be Emperor, then!” The second half of the film feels especially off to me. I also kinda just miss how bizarrely weird the 1984 version looks in comparison, although obviously that’s a very subjective criticism. This movie is pretty; it’s just not very fun. Like, it’s been a while since I’ve watched a movie that takes itself SO seriously. Plus–and I know this is the most minor of complaints–I feel like the desaturated colors of this film are a bit at odds with this oppressive desert heat everyone keeps talking about. I never even once bought that heat.

So, will I watch Part Two? IDK, probably, though I suspect bribery will be involved again, and I don’t think I liked this one enough to see the sequel in theater, no matter how much Villeneuve abhors the idea of people watching his art on the small screen. (Yes, I’m petty. This shit pissed me off.) TBH, I’m a little surprised about how many people were apparently worried there wouldn’t be a sequel, like, I know every iteration of Dune ends up being divisive as shit, but also, this was a wildly anticipated film with a huge cast and well-respected white director, like, the kind of director who actually gets Oscar nods for his science fiction work. I just wasn’t quite sweating the sequel getting the green-light, you know?

Best of 2020: BOOKS

Well. 2020 was . . . yeah, catastrophic. But the books, at least, were delightful.  Last week I posted a list of all the novels and novellas I read over the year; today, we’ll be discussing some of those books in more detail.

(A quick reminder: any book I read in 2020 is eligible for these Best Of’s, no matter when it actually came out. If I only discussed books published in 2020, well. Let’s just say this would be a much shorter list.)

FASTEST READ

The Game – Linsey Miller

Listen, I am always, always up for Murder Games of any kind, so this YA–where a high school senior discovers that one of her classmates is killing people for reals in their game of Assassin–was basically my dream premise. I read most of this in one sitting, which is unusual for me; I love to read, obviously, but I don’t have half the speed or focus of many people I know. So, it’s always a delight to find something easy and fun to sink into. Plus, you know. MURDER. Murder is my ultimate jam.

Honorable Mentions: When We Were Magic – Sarah Gailey;  Proper English – K.J. Charles; Silver in the Wood & Drowned Country – Emily Tesh; Ninth House – Leigh Bardugo; Pet – Akwaeke Emezi; My Sister, the Serial Killer – Oyinkan Braithwaite

FAVORITE MYTHOLOGY STORY

Goddess of the North – Georgina Kamsika

Okay, I talked about this book last week, I know. But it’s such an entertaining and original urban fantasy. I especially enjoyed the Hindu mythology because I feel like we don’t get to see enough South-Asian myth in UF, or at least I haven’t. There are honestly so many deities from so many different pantheons here, and it’s a lot of fun to guess who’s going to pop up next. I also really love the complicated relationship between our protagonist and her mother because while tricksters do frequently pop up in fantasy novels, I’m not sure if I’ve ever seen a Trickster Mom before. The mother-daughter relationship here is easily one of my favorite parts of this whole novel.

Honorable Mentions: Circe – Madeline Miller; Gods of Jade and Shadow – Silvia Moreno-Garcia; A Song Below Water – Bethany C. Morrow

FAVORITE GRAPHIC NOVEL

Velvet, Vol. 2: The Secret Lives of Dead Men – Ed Brubaker & Steve Epting

Velvet Templeton is such a great character. Not that this is news: I’m aware I’m still catching up on five-year-old trades. Nevertheless, the world needs way more awesome middle-aged lady spies. And this volume, in particular, ends on one hell of a conclusion. I should probably dream cast this series, at some point.

Honorable Mentions: Velvet, Vol. 3: The Man Who Stole The World – Ed Brubaker & Steve Epting; Zodiac Starforce: By the Power of Astra – Kevin Panetta & Paulina Ganucheau

FAVORITE ROMANCE

Proper English – K.J. Charles

Okay, an F/F country house murder mystery romance novel? Holy Jesus, yes. This book is delightful: charming, witty, and actively queer, the last of which just isn’t something you get in Golden Age detective fiction, unfortunately. Proper English is definitely romance first, mystery second, but I enjoyed both aspects of the story: Pat is a likable, sensible heroine, and it’s a lot of fun to see her and Fen fall for each other and, also, solve crime. I’d like to see this story as a movie immediately.

Proper English is also something of a spinoff-prequel to Think of England, and you can better believe that novel’s already on my 2021 To-Read List.

Honorable Mentions: The Lady’s Guide to Celestial Mechanics – Olivia Waite; Silver in the Wood – Emily Tesh

FAVORITE MYSTERY

The Santa Klaus Murder – Mavis Doriel Hay

Like I said, I’m a huge sucker for a witty country house murder mystery. These kinds of books are the ultimate comfort read for me, and I suspect I came across this one at just the right time. One of the things I specifically like here is the character work: we get multiple POVs for the first five chapters, and while it’s a bit strange, structurally speaking, it also allows the reader more time to really get to know our suspects. Plus, I had no idea how reliable these accounts actually were, so I had an especially fun time looking for discrepancies and clues. The Santa Klaus Murder is also the very rare Golden Age novel that actually ends on a hilariously fitting line, rather than just sorta clunking to a stop. I love this period of fiction, but some of those endings are just oof.

It is a truth universally acknowledged that all Christmas stories are improved by a homicidal Santa; thus, this book also wins for FAVORITE CHRISTMAS STORY.

Honorable Mentions: A Morbid Taste for Bones – Ellis Peters; The Skull Beneath the Skin – P.D. James; The Broken Girls – Simone St. James

FAVORITE NON-FICTION

TIE!

Afterlives of the Saints: Stories from the Ends of Faith – Colin Dickey
Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction – Lisa Kröger and Melanie R. Anderson

I’ve never read a non-fiction writer whose prose inspires me as much as Colin Dickey. His sentences are thoughtful and elegant, and I always have at least seven new story ideas by the end of one of his books. The material here, too, is fascinating, not just because I find early Christian history interesting, but because of how the saints are analyzed and interpreted here: as punk saints, saints as rejects, etc. Dickey’s most recent book is called The Unidentified: Mythical Monsters, Alien Encounters, and Our Obsession With the Unexplained, and I’m looking forward to reading it.

Meanwhile, Monster, She Wrote is a remarkably quick read for non-fiction and makes for a fantastic reference guide. I jotted down all kinds of short stories, novels, and authors who I’m shamefully unfamiliar with. I especially enjoyed reading about women authors of the pulp era because that really seems to be a period where women have been selectively deleted from history. Also, seeing The Migration by Helen Marshall get a well-deserved shoutout was a delightful surprise. Helen, buddy, you rock.

Honorable Mentions: The Golden Age of Murder – Martin Edwards

FAVORITE MIDDLE GRADE

A Wizard’s Guide to Defensive Baking – T. Kingfisher

This one’s a bit tricky: ostensibly, Ursula Vernon’s books are for children, while T. Kingfisher writes for adults, but in this case that appears to be a marketing decision; as Vernon discusses in her author’s note, she visualized this story as a dark children’s novel. That’s certainly how it read to me, so I’m placing it here, marketing be damned.

Shocking no one, I adored this book. It’s sort of warm and fluffy and laugh out loud funny, while also having these fantastically dark and weird bits that I absolutely love. One of the things I particularly like is how this novel discusses responsibility and heroism and never fully lets any of the adults, even the likable ones, off the hook for depending on children to save them. That all felt very real to me. There is also, as you might imagine, quite a bit of bread-related humor. The Wizard’s Guide to Defensive Baking is charming, and probably best enjoyed with something to snack on.

Honorable Mentions: Riverland – Fran Wilde; Peapsrout Chen: Battle of Champions – Henry Lien

FAVORITE YA

Pet – Akwaeke Emezi

There are books you spend years waiting to read, and then there are books that you’ve never heard of before, but which absolutely blindside you with just how goddamn brilliant they are; Pet was the latter for me, just so imaginative and exciting and wholly original. There’s so much voice in this book; I don’t quite know how to describe it, but I could really hear the language somehow, and I loved listening to it. In her review on Tor.com, Alex Brown mentions that the dialogue here is “as poetic as the narrative text itself,” and that definitely rang true to me.

The utopia in Pet is fascinating, particularly because it’s flawed without being secretly sinister or cruel. Jam is a great MC; in fact, I enjoyed all the characters, especially Pet. And monster-hunting creatures that emerge from paintings? Come on. That’s just cool. I’m definitely looking forward to reading more books from Emezi in the future.

Honorable Mentions: Blanca y Roja – Anna-Marie McLemore; A Song Below Water – Bethany C. Morrow; Cemetery Boys – Aiden Thomas

FAVORITE CONTEMPORARY FANTASY

Ninth House – Leigh Bardugo

Despite absolutely loving Six of Crows and Crooked Kingdom, I didn’t run straight to the bookstore for a copy of Ninth House, mostly because secret society mysteries aren’t always my jam; I often have trouble taking them seriously. But I straight up loved Ninth House, like, okay, it definitely reminded me that I know absolutely nothing about Ivy League academia and rich people shit? But it also has so much amazing noir energy, like, this is exactly what I want from modern noir: interesting characters making morally dicey choices for reasons you understand. (As opposed to assholes being assholes for Asshole Reasons). The characters are great here: Alex is a fantastic protagonist, I liked Darlington straight away, and Dawes is kinda the best. Also: Turner and Mercy. I’m really into the world, too: the various houses and their different types of magic. And the way this one ends, I mean, damn. I NEED THE SEQUEL, PLEASE.

Honorable Mentions: The Library of the Unwritten – A.J. Hackwith; Riverland – Fran Wilde; Blanca y Roja – Anna-Marie McLemore; Goddess of the North – Georgina Kamsika

FAVORITE NOT-SO-CONTEMPORARY FANTASY

Silver in the Wood & Drowned Country – Emily Tesh

I’m counting The Greenhollow Duology as one entity here because I could really see these stories as separate halves of the same novel; also, this is my blog and I make the rules, so. Silver in the Wood has a lovely folkloric/fairy tale feel, while I guess I’d characterize Drowned Country as more of a seaside gaslamp fantasy? Both novellas are charming as hell (which is why they also win for BEST NOVELLA) and feature an interesting world, fantastic supporting characters, and an M/M romance to root for throughout. Tobias/Silver, I ship you madly.

Honorable Mentions for Favorite Not-So-Contemporary Fantasy: Gods of Jade and Shadow – Silvia Moreno-Garcia; The Ten Thousand Doors of January – Alix E. Harrow; A Wizard’s Guide to Defensive Baking – T. Kingfisher

Honorable Mentions for Favorite Novella: Exit Strategy – Martha Wells; Come Tumbling Down – Seanan McGuire; Ring Shout – P. Djélì Clark; Made Things – Adrian Tchaikovsky

FAVORITE SCIENCE FICTION

TIE!

A Memory Called Empire – Arkady Martine
Gideon the Ninth – Tamsyn Muir

A Memory Called Empire has just about everything I love to see in SF: murder, political intrigue, and an in-depth focus on identity and culture. The world-building here is incredible, and I was fascinated by all of it: the naming conventions, the linguistics, the profound impact of colonization on one’s sense of self.  Also: the imago tech that connects our heroine Mahit to her dead predecessor, Yskander. Anyone who’s ever wanted more weird Trill shit from Star Trek, well, this is the book for you. Plus, Mahit is an awesome heroine; in fact, I really enjoy the whole cast of characters. I’m eagerly looking forward to the sequel coming out later this year.

But Gideon the Ninth was pretty fantastic, too, a dark and irreverent SF/Fantasy mashup with monster battles, necromancers, creepy nuns, dangerous challenges, and–once again–murder, just like, a LOT of violent, gory murder. Gideon, herself, is incredibly fun: punk, buff, cheeky as hell. This book’s got voice and then some. Also: serious cosplay potential, which isn’t something I usually find in novels. (I’m not great at visualizing stuff, TBH.) Gideon the Ninth also surprised me at multiple points, especially at the very end. Things get pretty bleak for quite a number of characters, which sounds depressing and, occasionally, kind of is. But it’s also easily one of the most entertaining books I read all year.

Honorable Mentions: Velocity Weapon – Megan E. O’Keefe; Exit Strategy – Martha Wells

FAVORITE HORROR

The Only Good Indians – Stephen Graham Jones

This book. Damn. It’s strange and challenging and, like the very best horror, it lingers long after you’re finished reading it. One scene, in particular, honest-to-God shocked me, and while I don’t find most horror novels scary as a general rule, I will fully admit this scene creeped me out in the best of ways. As always, I love Stephen Graham Jones’s prose: the words he uses, the words he leaves out, the way even his shortest sentences can punch you in the gut.

In her review of The Only Good Indians at Locus, Paula Guran says, “The book will be seen as effective ‘social commentary,’ but it is not ‘commentary’: it is simply the truth displayed and injustice portrayed clearly for all to read.” And that feels about right to me. There’s a lot of truth in this one.

Honorable Mentions: Ring Shout – P. Djèlí Clark; Disappearance at Devil’s Rock – Paul Tremblay

FAVORITE NOVEL

Gideon the Ninth – Tamsyn Muir

Per usual, I vacillated like crazy over this decision. Ultimately, however, I picked Gideon the Ninth because–in a year full of fear, incompetence, deliberate cruelty, and a little more fear– this book was just sheer irreverent fun, and I very much appreciated that.

Here is the rest of my Top 10 (not in any particular order).

2. Ninth House – Leigh Bardugo
3. A Memory Called Empire – Arkady Martine
4. Pet – Akwaeke Emezi
5. Silver in the Wood/Drowned Country – Emily Tesh
6. Proper English – KJ Charles
7. The Only Good Indians – Stephen Graham Jones
8. Velocity Weapon – Megan E. O’Keefe
9. The Library of the Unwritten – A.J. Hackwith
10. A Wizard’s Guide to Defensive Baking – T. Kingfisher

Somehow there are always a few fantastic books on this list that I don’t end up individually discussing, so a couple quick shoutouts: Velocity Weapon by Megan E. O’Keefe is a space opera with political intrigue, BIG twists and turns, and characters who are allowed to be both likable and complicated.  Meanwhile, The Library of the Unwritten by A.J. Hackwith is full of myths, banter, teamwork, and literary tropes. Also, angels. Also, Hell. It’s a very enjoyable read chockfull of excellent quotes. Both books already have sequels out, and they are very much on my To-Do list.

Honorable Mentions For Top Ten: Ring Shout – P. Djèlí Clark; The Santa Klaus Murder – Mavis Doriel Hay; Goddess of the North – Georgina Kamsika; My Sister, the Serial Killer – Oyinkan Braithwaite; Circe – Madeline Miller

That’s it for now. 2021 Books, here we come!

2020 Reading List – Novellas, Novels, Graphic Novels, and Non-Fiction

Well. 2021 approaches, finally. Coming to the end of 2020 means a vast number of things, but for today, it means I’m posting the official list of all the books I’ve read this year. Also to be discussed: unsurprising reading trends, a few fanfic recs, upcoming SF/F novels I’m looking forward to, shameless promotion for my super talented friends, and of course, ALL THE QUOTES.

Shall we get started?

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“What Kind of Killer Do You Think Stops to Save a Dying Fish?”

Well, the Clarion West Write-a-Thon finished up last week, and I succeeded in writing things! Perhaps they weren’t the stories I should have been focusing on, necessarily, but it’s been a dark year, and it’s still only August. Sometimes, the joy of fanfic is more important than the projects that might someday get you paid.

Per usual, I offered up a movie review/essay as a possible reward, and two sponsors took me up on it. The first sponsor, Tom, has donated to the WaT several times now and has delighted in making me watch everything from classic SF that I’ve never seen (Dune) to laughably terrible movies about Big Foot that no one should see (Night of the Demon). Today, however, we’ll be discussing a film I have watched before, albeit not in a very long time: the late 90’s SF neo-noir, Dark City.

To my relief, it actually holds up pretty well.

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Year of Monsters: It Came From Outer Space

Today’s film–chosen randomly because I like a little organized chaos in my life–is It Came From Outer Space. This is a fantastic title: evocative, mysterious, charmingly cheesy. And the movie was based on a story treatment by Ray Bradbury, which, that’s clearly a good sign, right?

Alas, my friends, I must inform you that in the case of It Came From Outer Space, I vastly prefer the title to the actual film. Continue reading