Technically, I’ve seen a David Cronenberg film before (eXistenZ, roughly a billion years ago—I have almost no memory of it), but I haven’t really seen any of the classic 80’s horror that he’s known for. (Or, okay. Maybe The Dead Zone? But also maybe not because I mostly just remember the ending.) Horror Bingo felt like a prime opportunity to correct this egregious oversight, and so for the very first time, I watched The Fly.
. . . holy shit, this is where that line comes from?
First Watch or Rewatch: First Watch Amazon, Netflix, Hulu, or Other: Hulu Spoilers: Absolutely, and not just for this film. I will also heartlessly spoil Alien, Aliens, Scream, AND Halloween Grade: Chocolate
I enjoyed this. I wish I could judge it against the 1956 film, but unfortunately, I haven’t watched that movie since I was 16 (studying McCarthyism and the Second Red Scare in US History, natch), and while I liked it at the time, I remember very little about the film now. Still, this 1978 remake is a lot of fun, and hey, look at all these people in it! Jeff Goldblum as a spiteful and atypically charmless writer! Leonard Nimoy as the evil psychiatrist version of Spock! (I’m specifically thinking of “This Side of Paradise.”) Robert Duvall as some rando priest on the swings! (It’s an uncredited cameo.) And, of course, Donald Sutherland as our fluffy-haired love interest turned doomed protagonist. I can’t believe I’ve finally seen the movie for this GIF! (You might think said GIF would’ve been a spoiler, but since I almost always see it in a “no, God, not YOU” context, I didn’t realize what was going to happen until right before it did.)
Also? Veronica Cartwright is the actual final girl here! Sure, things aren’t looking great for her right now, but nevertheless, Nancy is a side character–the second female lead, even–who makes it further than anyone else in the film, and I am fascinated by that. Try to think of other horror movies where that even happens. It’d be like Halloween where Annie makes it instead of Laurie. Or Tatum outliving Sidney in Scream, or Vasquez surviving Aliens when Ripley does not. (Or hell, Veronica Cartwright herself in Alien.) It’s pretty much just not a thing, is my point. Besides, Nancy’s really clever: she’s the one who figures out how to evade detection, successfully continues doing so when Elizabeth cannot, and hey, she likes to read! I’m extremely excited to add Nancy to my list of Interesting Final Girls.
There are, admittedly, a few moments that are pretty hard to take seriously, like the mutant dog or how it initially looks like Earth is being invaded by space sperm. On the other hand, the scene where Donald Sutherland takes an axe to his own half-formed pod face is pretty great, and the moment when Elizabeth crumples apart is surprisingly sad. It’s always great when a horror movie can hit you with surprise Feels, and Invasion of theBody Snatchers successfully does this for me.
First Watch or Rewatch: Rewatch Amazon, Netflix, Hulu, or Other: Other – Personal Collection DVD Spoilers: Definitely Grade: Strawberry
I first watched Hostel (and reviewed it*) way back in 2010, and at the time, I really enjoyed the movie. But I also hadn’t seen it in several years, and had a sneaking suspicion that I’d feel differently about it now. My suspicions proved accurate.
Even now, I still don’t hate Hostel. But things have changed in the past decade, and one of those things is my tolerance for watching assholes be assholes for any elongated period of time. We’re with these dudes for about 40 minutes before we really get what we came for, and while it does make sense to have a lengthy first act when the bulk of your horror is gory, torture-based violence . . . like, who wants to sit through 40 minutes of these little shitheads running around, being jerks, and seeing a truly improbable number of tits? (Jesus God, the ludicrous amount of tits in this movie.) It seems like there are two ways to fix this: either make these characters a lot more likable, or have Oli and Josh go missing much earlier in the film, putting the focus on Paxton as Amateur Detective rather than Paxton, Infuriating Dick.
Other problems I have with Hostel: a) Paxton’s backstory, not because of the backstory itself but because of just how lazily it’s dumped into the script, like, this is a teachable moment on How Not To Handle Exposition, b) how Josh, our only gay** and non-villainous character, dies, and c) Kana’s suicide, because come on, what the actual fuck. If she’d decided to kill herself months or even days after the fact, okay, that’s one thing, but to have her jump in front of a train here, just five minutes after escaping, because half her face is fucked up? Thanks, I hate it. Honestly, I hated this ten years ago, too, but when I read that the actress thought it was plausible, I tried giving it the benefit of the doubt. No more. This is total bullshit. Absolutely cannot deal.
All that being said, there are still things I like about this movie. For instance, that Achilles tendon shot remains fucking iconic. I think it’s interesting that Paxton is the only person you actually see murder anyone on screen. (Well, except for the Bubblegum Sociopath Street Gang, of course. I still kinda adore these random violent little children.) I actually like a lot about Paxton, if not Paxton himself: his ability to speak German, his revenge scene, his general ingenuity when it comes to survival. (Not to mention, Jay Hernandez’s performance; he’s pretty great in this.) Again, this is fascinating trope subversion because Paxton seems like the kind of asshole who gets killed off halfway through, when instead that’s Josh, our shy, asthmatic Nice Guy. Josh is such an obvious Final Boy that I really enjoy his surprise death–or would, anyway, if it weren’t for the Bury Your Gays thing.
*As always, the older the post, the more horrified I am by it. I do stand by some of my opinions in this review (I’m not linking to it; you can find it if you really want to), but I’ve also grown as both a writer and a feminist, and some of this review is just hideously painful to reread. It’s particularly jarring, too, because I mention some things about myself that just blatantly aren’t true . . . only I hadn’t realized that yet. Ah, the slow, frustrating process of self-discovery.
**Josh’s sexuality is not directly stated, but it is heavily implied.
The Legend of Hell House
First Watch or Rewatch: Rewatch Amazon, Netflix, Hulu, or Other: Amazon Spoilers: Yup Grade: Vanilla
I enjoyed The Legend of Hell House when I watched it on a whim last year, but I think I might’ve enjoyed it even more on the second go-round. The things that bothered me then still bother me now, unfortunately: like, the (apparently toned down) erotic hauntings are total bullshit. The only reason Ann is even here is so that someone can get possessed by a horny ghost. (You’ll notice it’s always the women who are getting “sex-possessed” in these movies.) The character literally does nothing plot relevant, not once, and considering this story really only has four characters? Come on. Florence, at least, is extremely plot-relevant, but she also decides to have sex with Daniel the Friendly Ghost in order to free his spirit, or something–only to find out that Daniel never actually existed; instead, Florence gets raped and possessed by Evil Belasco’s Ghost.
So, yeah. That’s . . . that’s a lot. But there is genuinely a lot to enjoy, too: the premise is basically my dream story, like, a scientist, a psychic, and a traumatized sole survivor–who’s also psychic–are hired to uncover the mysteries of the spooky haunted house? People, I’m in love. I also really like how this movie deals with physical mediums versus mental mediums and how our skeptical scientist does believe in psychic energy and scientific exorcisms; he just doesn’t believe in actual ghosts. I enjoy all of the trances and hauntings that aren’t based in shitty erotica, like, there’s some decent atmosphere in this movie. Young Michael Gough as Evil Preserved Corpse is perfectly creepy. And the mystery of “Who Is Actually Haunting Us?” is pretty fun throughout, although I will say that I’d like the “multiple ghosts” theory better if the mediums came across a fake ghost besides Daniel. (Say, Evil Belasco was impersonating someone Ben knew from the last expedition.) Also, while I quite like that it was Belasco All Along, the big reveal about his homicidal Napoleon Complex is, I think, pretty underwhelming. Although credit where credit’s due: the clues leading up to this in Ben’s backstory are pretty expertly handled.
The Legend of Hell House doesn’t always get a ton of love (at least, not when compared to other classic haunted house movies) and clearly there are things I’d like to change. But I honestly do think it’s a pretty neat take on the sub-genre and well worth a watch if you haven’t seen it before.
It’s the final week of the Clarion West Write-a-Thon and, coincidentally, my last week before vacation. Which means you probably won’t see me around much for a little while. Before I go, though, I have my second (and final) WaT reward essay to share. While last week we discussed John Carpenter’s Prince of Darkness (a film where Satan is a bunch of green goo in a vat, and bugs are fucking everywhere), today we’ll be shifting gears to talk about The Adventures of Buckaroo Banzai Across the 8thDimension, a film where a brain surgeon/comic book hero/test pilot/rock star/physicist saves the world with his buddies, the Hong Kong Cavaliers, from hostile aliens.
The holidays are basically over, thank God. (I kid. Sort of.) Now that we just have New Years and the inevitable what have I been doing with my life anxiety that comes with it, let’s get back to reviewing a random assortment of movies, shall we?
Just a reminder for all of you strawberry ice cream loving weirdos out there, the rating system goes like so: chocolate equals favorite, vanilla equals second favorite, and strawberry equals least favorite. Though, admittedly, that doesn’t always mean much when I like all three films, especially if they’re wildly different films as they are today. (Gotta be honest: I pretty much just did a coin toss when it came to choosing who got chocolate and who got vanilla this time.) It’s a messy ratings system borne out of silliness, rather than practicality.
With that in mind . . .
Ant-Man and the Wasp
First Watch or Rewatch: First Watch Amazon, Netflix, Hulu, or Other: Netflix (DVD) Spoilers: Very few Grade: Chocolate
I never got around to seeing Ant-Man and the Wasp in theaters. Maybe it was Marvel fatigue. Maybe I was just lazy. Maybe it was leftover annoyance with the first Ant-Man. (I laughed pretty hard at some of the jokes, but I was so frustrated for Hope Van Dyne by the end of the movie that I basically just wanted to murder people.) Still, after the trailer for Avengers: Endgame came out, Mek and I were like, “Yeah, we should probably go ahead and watch this.”
Fortunately, I enjoyed Ant-Man and the Wasp so much more than its predecessor. In fact, I don’t know that I have any complaints about it: I’m so much happier with how Hope’s treated in this movie, and I love that she and Scott both get the chance to save one another. Michael Peña is hilarious, particularly in the truth serum scene. (Oh my God, the truth serum scene.) Scott’s daughter is still cute. Randall Park might be even cuter. I either didn’t know or totally forgot that Walton Goggins was in this, Laurence Fishburne, too, and I’m always excited for any chance to see Michelle Pfeiffer. I also really appreciate the movie’s relatively small stakes: no one’s trying to save the world or conquer another universe. This is just a hero who wants freedom from house arrest, another hero who wants to save her mom, and a sympathetic villain who doesn’t want to die and/or be in constant pain anymore. Ant-Man and the Wasp is a joyful, funny, feel-good story, which is the kind of thing I’ve been into lately. Also, not shockingly, the size gags are the best.
I should go see if there’s any good Janet Van Dyne fanfic out there (specific to this particular iteration, that is). I understand why the film didn’t have time for it, but holy shit, is there some serious fanfic potential in her arc. Good lord.
The Dark Crystal
First Watch or Rewatch: First Watch Amazon, Netflix, Hulu, or Other: Amazon Spoilers: Definitely Grade: Strawberry
After Netflix announced the cast of the upcoming Dark Crystal TV series–which, if you didn’t hear, was EVERYONE–I decided it was maybe time I finally got around to watching the actual movie. No, I never saw it as a kid. I’m not sure why, exactly; I loved The Labyrinth well enough. Unfortunately, I suspect The Dark Crystal works best when you’re young–assuming it doesn’t scar you for life, that is, which it totally could’ve. Shit gets dark in that movie.)
Some stuff, I really do enjoy. I like that the Skeksis and the Mystics are two halves of the same beings. I really enjoy the memory swapping scene, random as it is. (Dreamfasting sounds like Slim Fast for dreams, which is a story I need to write immediately.) Kira herself doesn’t have much in the way of personality, but she’s still pretty cool: she speaks multiple languages, can call animals, manages to resist brainwashing, and, oh yeah, HAS WINGS. And, of course, Fizzgig is the absolute best; I desperately want one immediately. Y’all don’t even wanna know how much ranting you would’ve endured if Fizzgig had actually died.
Still, for a fairly short film, The Dark Crystal has a pretty slow, plodding pace. Lengthy exposition and narration don’t help much, and the Skeksis, in particular, are kind of excruciating to watch. (Though watching Mek’s mounting homicidal rage as the Chamberlain repeatedly made this noise was kind of worth it. Also, I feel it’s important to note that the design of the Skeksis was killing me because I knew I’d seen these assholes before; it wasn’t until Mekaela suggested Farscape that I realized they were totally the Halosians.) The worst, though, is definitely Jen, who is a deeply worthless hero: whiny, useless, and boring, like all the farm boy protagonists he’s drawn from. Visually, the Gelflings themselves are enjoyably creepy in that whole uncanny valley sort of way; vocally, though, Jen mostly reminds me of a young Matthew Broderick doing a young Luke Skywalker on Tatooine impression, and it is insufferable.
But maybe the biggest bummer about watching this movie is that I’m actually less interested in checking out the TV series, now that I know it’s a prequel about three Gelflings who work to start a rebellion against the Skekis. Prequels are so rarely ever my jam anyway, but especially when there’s such an obvious foregone conclusion, like, the rebellion’s gonna fail, folks, and the Gelflings are all gonna DIE. Yes, yes, except Jen and Kira; I’m saying, we’re still looking ahead to mass puppet genocide. I don’t mind dark children’s stories, but even for me, that’s a bit much.
Rehearsal for Murder
Look, there aren’t a lot of GIFS for TV movies made in the 1980’s, okay?
First Watch or Rewatch: First Watch Amazon, Netflix, Hulu, or Other: Amazon Spoilers: YES Grade: Vanilla
Last month, Claire suggested in the comments that if I enjoyed murder mysteries, I might want to check out this TV movie, Rehearsal for Murder. Since it was free on Amazon, we did just that, and let me tell you, people: Claire was right.
Rehearsal for Murder is a pretty clever story. I’m a sucker for the whole setup: an actress dies, supposedly having killed herself after a poor opening night, and a year later her playwright fiancee gathers a group of people from that show (a few other actors, the director, a producer, etc.) to test read his new play . . . only the play is clearly a front for catching the real killer. I wish I could say I figured everything out, but that wouldn’t be true, although I did get pieces. I noticed the cab, but forgot about it later. I knew the lighter was important, but thought it was a clue indicating someone else. I was immediately sure that there was an affair/blackmail situation going on, and I figured the actor-cop was involved somehow, maybe as an accomplice or a hitman. It definitely never occurred to me, though, that everyone was in on the set-up, like a reverse Murder on the Orient Express. The twist was set-up extremely well, and I was very satisfied by the story and its structure. TBH, I’m a little surprised this movie wasn’t based on a play.
As this is a TV movie from 1982, the film quality is . . . not the best. I wouldn’t mind seeing it redone with decent cameras for the big screen. But if you’re looking for a clever mystery that’s also a Boy Meets World reunion, this is it: both Mr. Matthews and Mr. Feeny play significant roles here. (Hence the GIF above. Also, God bless William Daniels; I just love that man’s voice.) Also of note: Robert Preston, who has a lot of presence as our playwright detective hero, and Jeff Goldblum, who is his usual delightful self.
Welcome to My Geek Blasphemy’s first Triple Scoop Review–a concept I may or may not stick with, depending on how well it goes and also how hungry I am. (Let us be under no illusions here: the criminal lack of ice cream in my freezer probably has much to do with this whole “triple scoop” idea in the first place.) Triple Scoop Reviews will function much the same as Lil Spooky Reviews, only they won’t be limited to horror movies, and I will assign each film thematically flavorful ratings. A Chocolate rating will be awarded to my favorite of the bunch, while my least favorite will clearly be inferior Strawberry and the middling film will be assigned an equal middling Vanilla.
Like I said, we’ll see how long this lasts; if I start getting frustrated that I can’t rate everything Chocolate, for instance, I may have to tweak the formula. In the meantime, however, let’s get started.
First Watch or Rewatch: First Watch Amazon, Netflix, Hulu, or Other: Netflix (DVD) Spoilers: Only super mild ones Grade: Vanilla
I enjoyed this, though by the end, I couldn’t shake the feeling it was missing something. I like all of the actors: Jodie Foster, Sterling K. Brown, and Dave Bautista are particularly great, and I’d happily watch more of their characters any day of the week. It’s a fun concept, too (high-tech hospital/hotel for criminals), and I like how the film sets up a lot of moving parts in the beginning with various little mysteries and parallel storylines. (Who is the woman outside, what is the significance of the pen, who does Nice want to kill, etc.)
Unfortunately, I don’t know that the payoff to these mysteries works as well: multiple side characters feel underused or extraneous, the few Big Reveals are unsurprising, and at some point the plot complications just sort of whimper out. I can’t help but wish the futuristic backdrop had played more into the story, too. It kinda feels like the whole idea of this plot structure is to light six matches near a powder keg and wait to see which one goes off, which is a neat idea in theory, but how it plays out in actuality . . . you know, I don’t quite know how to describe it. Everything just runs in a horizontal line, one event after the next in a chopped, hurried fashion, all racing to wrap up as quickly as possible. Like they’re on a deadline. Like the chaos is suddenly, noticeably scripted.
Hotel Artemis is totally enjoyable (it even clocks under 2 hours) and I’d watch a sequel in a heartbeat, but that third act is just missing something, making it a B movie when it could easily have been an A-.
First Watch or Rewatch: First Watch Amazon, Netflix, Hulu, or Other: Netflix (DVD) Spoilers: YES Grade: Strawberry
Man, I wanted to like this one so much. Ocean’s Eleven might have been the first movie I remember thinking, “God, how cool would this be with all women?” And parts of it are genuinely great. The idea of a heist at the Met Gala is just fun. The cast is amazing. I enjoy some of the callbacks to the 2001 film, and I really love a lot of the smaller moments, like Nine-Ball’s little sister, Debbie and Lou blowing bubbles, or pretty much every line out of Mindy Kaling’s mouth. Also, holy shit, I should probably go over to Archive of Our Own and find all the Debbie/Lou fanfic because sweet Jesus, there must be a ton of it.
Unfortunately, this plot’s got some serious weak sauce writing, particularly in the second half. I could forgive the scene between Debbie and Lou that feels like an inferior version of this scene. I could forgive how Anne Hathaway’s involvement is pretty obvious to anyone who can do basic math. I could maybe even forgive how every Reveal in the last third of the movie (including Hathaway) feels clumsy and rushed, but I cannot forgive the abysmal lack of plot complications and stakes in this movie. Pretty sure the last thing to actually go wrong for our crew is the busboys stopping to chat. It takes Sarah Paulson less than a minute to solve that problem, and then there’s still, what, twenty minutes left in the movie? Maybe thirty? The magnet problem prior is also just as quickly solved, and while I actually like the idea that there’s another act after the Big Heist, Insurance Investigator James Corden comes out of absolutely nowhere and isn’t even remotely a hindrance to our crew: shit, he helps them. Admittedly, I kind of enjoy that scene with him and Debbie at the diner, but again, it takes all of twelve seconds to turn him from potential antagonist into eager collaborator. A heist story where everything goes smoothly isn’t much of a story. Even comedies need basic tension, and this film has almost none.
Mek and I wracked our brains, trying to figure out how to fix this. Like, I know I said I could forgive them, but some of those last-minute twists (Hathaway’s involvement, the theft of multiple necklaces, etc.) are really a problem for me because they depend upon needless secrets being kept from the team and thus come across as lazy writing. Unless Debbie, who’s been burned before, secretly brings in Anne Hathaway because she doesn’t trust anybody on her team, maybe not even Lou. Now, that could create some genuine plot complications: perhaps Debbie has good reason to doubt her team because, say, Helena Bonham Carter betrays them, or better yet, maybe Debbie’s mistrust almost gets them all caught at some point, causing a rift/chaos/whatever, until they all work past it and pull the whole thing off like the badass ladies they are. That just leaves Scummy Ex-Boyfriend, who I’m mostly inclined to drop anyway, because his presence at the Met Gala feels like another failed setup, a potential complication that proves no trouble whatsoever. It’s really hard to have payoff if the characters face no actual challenges along the way.
Much like Hotel Artemis, I’d honest-to-God watch a sequel to this movie, but I’d definitely want different writers on board. Because the problem here isn’t the ladies. The problem is the script.
The Last of Sheila
First Watch or Rewatch: First Watch Amazon, Netflix, Hulu, or Other: Amazon Spoilers: My God, YES. Grade: Chocolate
It is a well-documented fact that Mekaela and I are mystery junkies. Unfortunately, it’s hard to find a good classic mystery these days: dinner parties with a side of murder just aren’t the rage anymore, much to our infinite sorrow. So we ventured into the way-back machine and found The Last of Sheila, a 1973 film where a young James Coburn invites six guests to his yacht a year after his wife, Sheila, was killed in a hit-and-run. Entertainment is provided in the way of a mystery scavenger hunt, where each guest is assigned a pretend-secret and has to discover everyone else’s . . . only the secrets are all-too real. Naturally, people start dying.
The Last of Sheila is actually one of the more clever and engaging mysteries I’ve seen in quite a while, not to mention boasts quite the cast and crew: the film stars a young Ian McShane, Raquel Welch, and Dyan Cannon, and was written by–wait for it–Anthony Perkins and Stephen Sondheim. What? There are lots of small clues and red herrings to sort through, enough that just remembering them all provides a bit of a fun challenge. Mek and I immediately figured that Lee had killed Sheila; also, that Clinton was already dead when Lee supposedly murdered him and that Tom was either the outright killer or, at the very least, involved. That last bit seemed clear because we never forgot the A is for Alcoholic card–though I initially seized on it for the wrong reason, considering I thought Tom was the alcoholic. At any rate, we had a lot of fun watching this. I like the idea that two group detectives, so to speak, were actually the guiltiest people in the bunch. I really enjoyed Tom and Phillip’s extended standoff (including the WTF puppets). And I like that the mystery is also a bit of a Hollywood satire, especially considering Tom’s “rewrites are a fate worse than prison or death” ending. There’s really a fair amount to recommend here.
But. But. But.
The biggest twist in this movie is that Clinton’s party game is just that: a party game. He didn’t write the Hit and Run Killer card and he certainly isn’t trying to find out who murdered Sheila. Actually, the secrets he chose were relatively small: shoplifting, for instance, or being an ex-convict. But you know what else Clinton considered a small secret, an embarrassing bit of gossip, a Not Big Deal? Being a child molester. YEAH. Phillip–probably the most likable character of the bunch and lead protagonist after the last lead turned out to be a double-murderer–has apparently molested kids, which not only puts the audience in the deeply uncomfortable position of rooting for a pedophile, nobody else in the movie gives a shit about it. Seriously, Mek and I just kept sitting there, dumbfounded, waiting for one of the other characters to justifiably freak out or denounce the guy or discover the accusation isn’t true . . . but it is true, and everyone in the story is just like, well, directors, you know. For Christ’s sake, Phillip gets a happy ending!
And seriously, what the fuck? What the holy fuck? What the fucking holy fuck?
It’s been years since I’ve been to Comic Con, but my little nerd heart still fills with envy every July. All that cosplay, all those panels, and so many, many trailers.
Fortunately, you can get most of that online now.
This looks pretty damn awesome.
I’m not gonna lie: I never actually watched Iron Fist. I figured I’d at least try it, but I read so many crappy things about the show that my already lukewarm interest just fizzled out. There are so many shows that I’m actually interested in trying; I couldn’t make myself waste time on one I just didn’t care about.
I have, however, read a bunch about the show (and have, of course, watched Jessica Jones, Luke Cage, and Daredevil), so I’m hoping I’ll be more or less prepared for The Defenders because it looks pretty great. Evil Sigourney Weaver looks AMAZING, and I’m absurdly excited by the shot of her and Madame Gao together, like, holy shit, BADASS VILLAINESS ALERT. (I should probably be counting Elektra in that, too, but I had very mixed feelings on Elektra after the giant mess that was Daredevil’s second season.) Meanwhile, our heroes–well, the three I actually care about anyway–are just perfect. I like all their banter, the not-exactly-camaraderie between them. (Particularly, “God, you’re weird.” Jessica Jones is the best.) I am, as ever, super excited about the team dynamics.
But. One thing? It has occurred to my sister and I that Claire is the only character who’s crossed over to all four shows, the only character currently connecting all of our heroes together, and I need to be absolutely clear about this: if Claire dies so that our heroes can have a thematically relevant “push,” I willburn things to the fucking ground.
Otherwise, I’m into it.
I almost didn’t watch this trailer. They already sold me with the teaser, and once I’m hooked, I usually try to avoid seeing too much before watching the actual film itself. Ultimately, though, I caved and I’m actually glad I did because this is a spectacular trailer. Still. It’s the last one I’ll watch voluntarily. (I mean, within reason. If a Ragnarok trailer plays while I’m at the movie theater or something, I’m not, like, gonna close my eyes, stick my fingers in my ears, and sing “LA LA LA” to avoid it. Mostly because I’d rather not get murdered by angry nerds. Or at all.)
But man, this looks great. I’m into ALL of it: Tessa Thompson as Valkyrie, Jeff Goldblum as Alien Jeff Goldblum, a team-up between Thor and Bruce/Hulk, another team-up between Thor and Loki, Cate Blanchett as the Goddess of Death. (Seriously. I NEED that hat. I NEED IT.) The action looks spectacular, the music is perfect, and oh my God, Hulk talks! Like, for more than three words at a time!
I’m ready for this, you guys. I’m so, so ready.
Eh. Flash made me laugh a couple of times, especially the line, “It’s really cool you guys seem ready to do battle and stuff, but I’ve never done battle. I’ve just pushed some people and run away.” HA. I suspect that he and Wonder Woman are easily going to be my favorites. And I’m definitely into J.K. Simmons as Commissioner Gordon.
Still, I feel like my reaction to this trailer was more lukewarm than most, partly because some of the action feels muddy to me, or perhaps because I just couldn’t get past the line: “Superman was a beacon to the world. He didn’t just save people. He made them see the best parts of themselves.”
Cause like, no? I mean, traditionally, sure, that’s exactly what Superman’s supposed to be around for, but you don’t get to just throw in a bullshit line like that after Man of Steel and Batman vs. Superman, where Superman was kind of a glum asshole and half the country didn’t trust his alien ass. That is some what-the-fuckery of the highest order. I am not okay with this.
Ready Player One
This is . . . sort of interesting? It’s been quite a while since I’ve read the book, which if memory serves was enjoyable enough, though I liked it more in concept than execution. That’s kind of how I’m feeling with this first trailer: I’m still interested in the world, in OASIS, in catching all the many, many pop culture references. Considerably less into the VO, however, and many of the CGI/action scenes. I’m not exactly blown away by the look of the film, which is a unfortunate. A story like this, you kind of want it to look spectacular. You want it to look like nothing you’ve ever quite seen.
Then again, it’s only the first teaser. I might be more impressed with other trailers down the road. All I know is, at this point, even I’m starting to get a little tired of everyone’s 80’s fetish. Can we finally skip forward a decade, please? (In the film’s defense, there are 90’s references here: the most obvious one being The Iron Giant. But that line “I wish I’d grown up in the 1980’s like all my heroes” . . . yeah. Cue some serious eye rolling.)
Speaking of 80’s nostalgia.
I’m definitely more excited about this than Ready Player One. Cause, like, c’mon. Thriller. Plus, so much great spooky imagery and just . . . I don’t know, neat stuff. Sorry, apparently I have no articulation today.
I’m super interested in Will, which is cool because last season was mostly about the people around Will. (That’s not a knock. That’s what first season needed to be. I’m just happy to see second season move past that.) I completely forgot they got Sean Astin for this, which is obviously perfect 80’s casting. And Eleven! ELEVEN!
If I had a negative–and I’ll admit there wasn’t much of one–my initial reaction to seeing Jonathan was this: Oh, right. So you still exist. *sigh*
But honestly, there’s so much awesome here that I’m pretty sure I can deal with Jonathan. And hey, there’s always the chance that he gets eaten by a monster!
Nice little teaser. Atmospheric. Violent. Solid music choice.
I don’t have too much else to say about this except that I’m interested, and for the love of God can we find Elsie yet? (Preferably alive, but I suppose I’ll take confirmation of her dead body, too.)
Voltron: Legendary Defender
VOLTRON! While I’m extremely bummed to hear that Season 3 is only 7 episodes, I’m ecstatic to hear Season 4 is coming out in October. So. Okay. I can handle this.
I’m pretty into this trailer. (Definitely more, anyway, than I was into that weird leaked footage or whatever that came out a month or two ago.) I’m happy to see that we haven’t just skipped ahead to a time where Voltron is up and running again, like, I definitely want to deal with Shiro’s disappearance, not just easily replace him and move on until he’s found. Hopefully found? I’m interested in seeing what the team dynamic is like without Shiro: like, there ought to be changes, not just a single scene of Keith angst–although I’m all on board for the Keith angst. Still, I don’t want Shiro to permanently vanish. I like Shiro!
Anyway. I’m jazzed. Less than two weeks to go!
I’m interested in this. I don’t know if I’m quite as sold as the rest of the internet, and the words “from the director of Suicide Squad” make me shudder just a bit, but a cop movie with orcs and elves and fairies and Will Smith? I mean, how could I not be at least a little interested?
Also: Toyota Corolla. Yes.
Star Trek: Discovery
I feel like every Discovery trailer leaves me feeling pretty iffy, and this one is no exception. Some of it looks interesting: casting, some nice shots. But the trailers still aren’t grabbing me intellectually or emotionally yet, and I really wish I could shake off all the ‘doomed Captain Michelle Yeoh’ vibes I seem to be getting.
Mostly, I have no new thoughts here other than disappointment that Jason Isaacs has an American accent for no good reason I can tell. Also, it’s been officially released that our hero Michael Burnham (Sonequa Martin-Green) is Sarek and Amanda’s adopted daughter, and while the creators have promised that there’s a great, non-continuity-breaking explanation for that, I’m raising an extremely skeptical eyebrow here.
Come on, people. Haven’t we already deja-ed this vu? Have we not already learned our lesson that giving Spock a sibling that no one’s bothered to mention for decades is a really lousy idea?
Okay, I had my problems with this show by the end of the season, but I absolutely have to check out Season Two now. Oh my God. The melodrama. I laughed so hard at this one line. I’m not even going to tell you the line. I think you’ll know it when you hear it.
I’ll admit to some confusion: I thought Cheryl’s Evil Mom made it out of the fire unscathed? Maybe I’m remembering wrong? Or maybe she ran back into the burning house for some reason? (Perhaps to save Spooky Granny, who was the one I actually thought might have burned alive?) Either way, what matters it that Cheryl is as charmingly disturbing as ever. I appreciate this.
Also worth a mention: do they not have ambulances in Riverdale? Or was it actually quicker for Archie to pick up his bleeding and bullet-ridden father and haul him to that hospital from the 1950’s? Oh, Riverdale, and you’re amazingly outdated town aesthetics. On a positive note, I’ve discovered that my interest in Archie himself has picked up a bit, now that he’s possibly keeping dark secrets and there’s nary a hint of an acoustic guitar in sight. Maybe we can keep that up?
Meh. I mean, I’m still going to watch it. I think S2 was definitely an improvement on S1, but this trailer does so little for me. Normally I’m all about the weird, strange dichotomy between superhero and alter ego, but Kara acting like the decision she made to choose duty over love is an essentially alien choice, and how her whole life as a human has been a lie and angst angst blah blah, just, nope, not here for that. Besides, if two seasons have taught me nothing else, it’s that when Kara gets angsty about something, it usually means she reacts like a snappish 13-year-old, and it’s literally my least favorite thing about the show.
On the upside, I perked up considerably when Adrian Pasdar appeared.
Legends of Tomorrow
This looks like considerably more fun, although some of the footage is old, and I had to roll my eyes a little at the line “Rip has been hiding something from us,” because, like, of course he has. That’s basically what Rip does. (Also, Victor Garber’s Titanic joke, which made Mek laugh and made me go, “Oh, you assholes.” Although we both agree with the sentiment: never, ever step foot on the Titanic.)
I am, however, into Billy Zane and all the circus stuff. And “DIE, CLOWN” definitely cracked me up. Is that a band name? It oughta be a band name.
Aaaaaand back to the angst, although I’m actually a little more interested in this particular angst. Seeing the dichotomy between how Iris and Cisco are coping without Barry is kind of fascinating, and makes me wish that Barry was going to be gone for longer than an episode, which I seriously doubt. I love that Iris seems to be leading Team Flash, and I find myself desperately hoping she won’t just disappear on the sidelines when BA returns. I really shouldn’t let myself hope that hard.
I’m . . . okay that Caitlin appears to be on Team Flash again, but I need the show to actually address her dual nature, not just act like everything’s okay again. Cause, like, Jesus, that was one of the only things I praised about the goddamn finale. I’m also pretty bummed that her hair is brown again (c’mon, her Killer Frost look was the best!) and that Tom Felton is apparently leaving the show. That’s disappointing. I liked Julian, and if he’s not going to be around, I really need Caitlin to just be single for a year.
Bleh. Not really feeling it.
Considering the nature of last season’s cliffhanger, I’m not surprised about how little we see from most of the cast. (Other than Black Canary, who apparently does survive.) Unfortunately, that means half this trailer is just summarizing the season finale, and the other half is all about Oliver’s relationship with his son. What’s interesting to me about this is that I probably could’ve been okay with William as a recurring character earlier, like Dad + Mayor + Vigilante could have been interesting to see if they balanced it right. But if their whole relationship is just gonna be William, like, semi-brainwashed and blaming Oliver for everything, up to and possibly including his mom’s death? Yeah, I’m not really up for that.
This trailer looks a little better than the first one. Unfortunately, Medusa’s already terrible wig somehow looks even worse in motion. The effects here are pretty awful, and this isn’t some low budget show on TNT or Syfy. I’m not forgiving that crap.
I want to be interested in this. I like superheroes. (Obviously, considering how many superhero trailers I just talked about.) I like Ken Leung and Iwan Rheon. There’s a giant dog. I’m excited about a hero who only speaks through alien sign language. Unfortunately, said hero is coming off awfully blah to me thus far. Rheon appears to be disappointingly typecast, like, I kind of wish he was playing Black Bolt instead. (Or if they actually got a deaf actor, maybe? I don’t know that much about Black Bolt, but couldn’t they use a computer generated voice for the few times he has to speak and kill people?) And I’m still not sure if the show is connecting to Agents of SHIELD, even though AoS is where we were introduced to the Inhumans in the first place. (Agents of SHIELD, man. They’ve been so screwed over by Marvel.)
Finally, Teen Wolf
This trailer isn’t from Comic Con. The season premiere is airing this Sunday, and I decided not to watch any more new footage before then. But I figured I’d post this trailer I saw a couple weeks ago, since it did manage to reignite my interest, what with Stiles and Derek and Jackson and everyone else who isn’t Danny coming back again. (Poor Danny. We’ll never know what happened to you, will we?)
The idea that all the humans are going to be, like, infected with fear or something and turn on all the supernatural folk is kind of fun. My obsession with the show has seriously waned after the last disappointing season, so I’m glad that this trailer has managed to grab me again. Cause, like. Final season. I have to finish it.
But people. I am not here for what appears to be a steamy Scott/Malia hookup in the shower scene. No. Don’t do this, show, not in the last season. Don’t be the Chakotay and Seven of Nine of MTV.
Be a dream sequence, or there will be fierce-if-relatively-impotent disapproval.
You’ve all seen this, of course. The whole teaser is fun, like, there’s so much going on: holy shit Mjolnir, and all the goddamn iconic hats and headpieces, and the teeny-tiny glimpses of Idris Elba and Karl Urban. Not to mention, I can’t decide who I’d rather cosplay: Cate Blanchett, Cate Blanchett, or Jeff Goldblum.
But it’s Thor’s absolutely perfect reaction to seeing Hulk in the ring that completely sold me on this movie. I figured I’d probably watch it in theaters, having seen the prior two Thor movies there . . . but I wasn’t particularly excited about it. Now I’m like, “Wait, HOW long do I have to wait for this movie? I NEED JOY IN MY LIFE.”
Speaking of joy in my life.
This trailer looks immensely fun. Beating someone in the back of a car with a shoe really oughta be on my list of life goals. There are so many awesome looking fight scenes here, and Charlize Theron seems particularly badass. I’m all for her and James McAvoy having a comedic dynamic, but I’m really hoping it doesn’t actually take a romantic turn: she seems way too badass for him, and I’m much more interested in the Atomic Blonde/French Operative ship. (Please don’t actually die in that scene where it totally looks like you die, Sofia Boutella.)
I could definitely watch this one in theaters. It looks pretty great.
The Hitman’s Bodyguard
Warnings: Red-band trailer, mostly for a bunch of curse words that I’m absolutely sure you’ve never heard or spoken yourself before.
This is . . . interesting. It appears someone had the idea to pair Peak Samuel L. Jackson with Peak Ryan Reynolds and wrap them together with Whitney Houston’s “I Will Always Love You” from The Bodyguard. It’s . . . actually kinda spectacular, really, although I’m probably only so-so on the trailer itself. Some of the jokes made me laugh (particularly at “I hope they kill him; I really do” and “this guy single-handedly ruined the word ‘motherfucker'”), but I’m not entirely convinced that the joke won’t run out of steam in the first 20 minutes. Interested, but probably as a rental.
On first blush, it looks pretty decent. Hard to judge Pennywise, considering he doesn’t actually talk in this clip. I don’t mind them going a more traditionally scary clown route–like, you aren’t going to surpass Tim Curry, so don’t even try to imitate him–but Pennywise absolutely must have an actual personality, so it can’t all be dark makeup and super quick monster crawls in the sewers. Little Georgie’s pretty creepy, though.
One way or another, I’ll see this. It is my favorite Stephen King novel (except for, you know, THE SCENE) and I get endless joy out of how simultaneously both brilliant and atrocious the 1990 miniseries is. But I’m not quite pumped about this just yet. Mostly, I wanna compare the terrible adults from the miniseries to the adults in this remake . . . but sadly, I won’t get to for a while, since we’re saving them for the sequel, a decision I completely understand but am a little bit disappointed by regardless.
Finally . . . The Bad Batch
I have virtually no idea what the hell this is about, but it’s colorful and weird and I’m interested. (I still need to watch A Girl Walks Home Alone At Night. I’m so behind on all the must-see horror films.) I don’t think I know the actress playing the MC, but I do recognize Jason Momoa and Keanu Reeves and Giovanni Ribisi, and hey apparently Diego Luna’s in here somewhere, and–holy shit, that’s Jim Carrey?!
Meanwhile, IMDb is giving me this synopsis: “a dystopian love story in a Texas wasteland and set in a community of cannibals.”